WATCHMEN: The Film Babble Blog Review

WATCHMEN (Dir. Zack Snyder, 2009)

Darker than THE DARK KNIGHT and raunchier than any other Superhero movie ever, WATCHMEN busts out of development Hell into theaters today and it’s sure to be #1 this weekend. Knowing nothing of the source material, I sat transfixed and alternately baffled at what I saw at a late screening last night. Set in an alternate America in 1985 in which Nixon (played with a cartoon-ish prosthetic nose by Robert Wisden) is still president, a group of Superheroes has been disgraced and placed under governmental control. When The Comedian (Jeffrey Dean Morgan), a power player with a crusty charisma is murdered, Superhero turned vigilante Rorschach (Jackie Earle Haley) focuses on tracking down the killers. Among the not-ready-for-the-Justice-League heroes are Nite Owl II (Patrick Wilson), Silk Spectre II (Malin Ackerman), Ozymandias (Matthew Goode), and Billy Crudup as the completely CGI crafted Doctor Manhattan.

Much of this film feels like a Frankenstein monster of a movie with pieces from pop culture classics stitched together – the rain drenched neon-lit dystopian cityscapes from BLADE RUNNER and the War Room set reproduced exactly from DR. STRANGELOVE for instance. For an over the top action movie it’s really exposition heavy at times which works better than expected especially the soft spoken Crudup, who somehow makes a giant naked blue man animation into a study in eloquence. As for the action, the fight scenes lack edge and urgency, but the overall thrust is engaging if not transcendent. As Rorschach, complete with a cool morphing ink blot mask, Haley is the stirring standout showing how far he’s come from pitching for the BAD NEWS BEARS. A sequence involving Rorschach in stir is absolutely gripping with Haley stealing the movie away from his co-stars and the scores of expensive bombast.

As I mentioned above I have not read the original beloved graphic novel on which this is based so I can’t judge how faithful it is, but it certainly felt like a true comic book movie. It was almost as if bold panel edges and invisible establishing text were present while Crudup’s Doctor Manhattan looked like he had literally walked off the printed page. The soundtrack is quite unorthodox for a Superhero epic – an opening montage set to Bob Dylan’s “The Times They Are A-Changin’” sets the tone with odd choices like Leonard Cohen’s “Hallelujah”, Simon and Garfunkel’s “The Sounds Of Silence”, and Nena’s “99 Luftballons” following suit. Unfortunately, despite all these eccentricities and that it’s leaps and bounds better than Snyder’s 300, the film is way too long with a number of plodding parts that don’t gel. As a better than average popcorn flick it’s sure to have many fans, but it had ambitions way above that. Despite that WATCHMEN doesn’t soar to the heights it aims for, its intense intent and wicked sense of self is nearly intoxicating enough.

More later…

Hey Kids – Funtime Oscar Picks 2009!

With 2 days to go I thought it was time to finalize my Oscar picks for this year. Like I’ve said before I’m going in with a certain percentage of guts, wild guessing, and a bit of internet research. The last few years I’ve gotten the same score – 13 out of 24 so don’t think I’m talking like I’m any expert. Far from it but here goes anyway:

1. BEST PICTURE: SLUMDOG MILLIONAIRE

It looks like this or THE CURIOUS CASE OF BENJAMIN BUTTON will win. I’m going with this because the buzz seems stronger and more genuine.

2. BEST DIRECTOR: Danny Boyle

3. BEST ACTOR: Mickey Rourke – I believe this will happen but it’s a personal choice as well. His acceptance speech is sure to be a tearjerker. I’ll probably be all cried out from his interview with Barbara Walters earlier in the evening by then though.

4. BEST ACTRESS: Kate Winslet

5. BEST SUPPORTING ACTOR: Heath Ledger – It will indeed be extremely shocking if this doesn’t happen. Seems like even if not for his incredibly untimely demise, Ledger would still pick the winning card.

6. BEST SUPPORTING ACTRESS: Penelope Cruz – feels like there may be a major surprise in this category but I’m going with Cruz, again for personal reasons.

And the rest:

7. ART DIRECTION: THE CURIOUS CASE OF BENJAMIN BUTTON
8. CINEMATOGRAPHY: SLUMDOG MILLIONAIRE
9. COSTUME DESIGN: THE DUCHESS
10. DOCUMENTARY FEATURE: MAN ON WIRE
11. DOCUMENTARY SHORT: THE CONSCIENCE OF NHEM EN
12. FILM EDITING: SLUMDOG MILLIONAIRE
13. MAKEUP: THE CURIOUS CASE OF BENJAMIN BUTTON
14. VISUAL EFFECTS: THE CURIOUS CASE OF BENJAMIN BUTTON
15. ORIGINAL SCORE: SLUMDOG MILLIONAIRE

16. ORIGINAL SONG: “Jai Ho” from SLUMDOG MILLIONAIRE

17. ANIMATED SHORT: PRESTO – This is the only one I’ve seen (it’s the only many have seen since it was at the beginning of WALL-E) but it seems to have the edge.

18. LIVE ACTION SHORT: MANON ON THE ASPHALT
19. SOUND EDITING: THE DARK KNIGHT
20. SOUND MIXING: THE DARK KNIGHT
21. ORIGINAL SCREENPLAY: MILK
22. ADAPTED SCREENPLAY: SLUMDOG MILLIONAIRE

23. ANIMATED FEATURE FILM: WALL-E
24. FOREIGN LANGUAGE FILM: WALTZ WITH BASHIR

Okay! Check back on Monday to see how many I got wrong.

More later…

Finally Catching Up With FORGETTING SARAH MARSHALL

FORGETTING SARAH MARSHALL (Dir. Nicholas Stoller, 2008)

This is one I really wish I had seen when it came to theaters last spring. The raving reviews and accolades have piled up so much that by this point it can’t possibly be as funny as all that, can it? Almost comparable to the hype of THE DARK KNIGHT being immediately called one of the greatest films ever, this got an instant comedy classic stamp on it and I’ve seen it appear on several premature “best of 2008” so, yeah, my expectations couldn’t help from hitting the ceiling. Well, after watching it on DVD I can say that it definitely was far from a letdown with many laughs and likable characters though not exactly the experience Richard Roeper gushed about: “I want to just get down on my knees and declare my undying love for this movie”. Boston Globe critic Ty Burr also seemed a bit over the top when he wrote: “it delivers belly laughs that explode from the meeting of wit and shock”. But to be honest, I believe that if I had seen it on its original release I probably would’ve gotten carried away and might have said some similar things too.

Sure, it has a flimsy sitcom premise – boy loses girl, boy goes on Hawaiian vacation in order to get over girl, boy runs into girl with her new boyfriend who happen to be staying at the same resort, crude wackiness ensues etc. but the whole deal is as affable as its protagonist. The boy is Jason Segel whose persona as a hapless schmuck he began perfecting on the late great one seasoner Freaks And Geeks. He’s an LA musician who writes incidental music for a CSI-derived TV drama starring his girlfriend (Kristen Bell). Bell tells him that their 5 year relationship is over in a scene that sets the tone by featuring Segel refusing to put clothes on as his heart breaks: “Oh, would you like to pick out the outfit that you break up with me in?!!?” Segel, who wrote the screenplay, appears to have no shame portraying a guy who feels nothing but shame as he cries in the nude and shakes uncontrollably in emotional pain while eating from an oversized bowl of cereal.

After some comic consoling by his best friend (SNL’s Bill Hader who spends most of the film as a head on a laptop) he makes that fateful trip to one of the world’s most famous vacation spots and, yep, he has to face his former love in the arms of a major pop star played by the sleazily charming Brit Russell Brand. Luckily there’s Mila Kunis (That 70’s Show, voice of Meg Griffin on Family Guy) as a flirting hotel clerk that may be the key to helping him recover (you think?), Paul Rudd as a perpetually stoned surfer, Jonah Hill as Matthew the Waiter who is obviously hiding a man crush on Brand, and a Christian newlywed couple (30 Rock’s Jack McBayer and newcomer Taylor Wily) who are definitely not having a good go at consummating their marriage.

FORGETTING SARAH MARSHALL is another in the series of Judd Apatow produced flicks about pop culture obsessed immature men coping with growing up as they endure a plethora of awkward sexual circumstances – i.e. THE 40 YEAR OLD VIRGIN, KNOCKED UP, and SUPERBAD. It helps that this has a few somewhat plausible female characters and an actual moral code beneath the scatological silliness. None of things realy matters though as what folks were raving about is simply how freakin’ funny this flick is. It is certainly much funnier than many comedies, especially recent rom coms (a genre this film seems to want to reconstruct by way of ‘just add more dick jokes’) so maybe those people were on to something. But “comedy classic”? Let’s just give it some more time and I’ll get back to you.

Post Notes – Bonus Material With A Shout Out: There is not much difference between the unrated extended version and the theatrical cut on the DVD except for some excised lines and a mildly amusing Kristen Wiig (SNL) yoga class scene. The gag reel is, like the movie, funnier than most flicks’ flubs while the patented Apatow “line-o-rama” has a lot of great alternate lines like Segel’s reaction to Kunis’s over-reaction to seeing her ex-boyfriend: “You were like David O. Russell when he was yelling at Lily Tomlin!” Jonah Hill has some good unused ones too: “I think it’s cool though, you just come and eat dinner by yourself. I wouldn’t do it, I would rather stay in the room and jerk it, if you know what I’m saying? Don’t tell anybody I said that”.

The shout-out goes to the great barely known comic actor Bill Hader who was in a couple of other possible future comedy classics over the last few months. Though many would classify them as bit parts – his turns as Private Miller in PINEAPPLE EXPRESS and studio executive Rob Slolom in TROPIC THUNDER, which had him hold his own up against Tom Cruise, are great sideline roles. With hope he will get some more substantial film work alongside his current gig at SNL but with projects like NIGHT AT THE MUSEUM 2 and something called CLOUDY WITH A CHANCE OF MEATBALLS on his cinematic horizon, I wouldn’t hold my breath.

More later…