Time For A Re-Appraisal – GODFATHER PART III Is The Best Of The Series
June 24, 2008 Leave a comment
This is definitely NOT my contribution to the BIZARRO BLOG-A-THON (June 23-25th) hosted by LazyEyeTheater or EnergeticEyeTheater or whatever:
e mounting in a grand sweeping sense of neccessary closure. When we last saw Michael Corleone (Al Pacino) it was the late 50’s and he was left all alone by those who once loved him sitting on a bench at his Lake Tahoe estate – with dead eyes and a cold withdrawn demeanor. If you’re like me, and I know I am, you’d want to see more of the decline of this guy, right?
Made to order, GODFATHER III picks up 20 years later as Michael tries to finally go legit with a deal with the Vatican, harasses his ex-wife, destroys his children’s dreams (or maybe just his children), and ends up yet again on a bench now much older and still alone but this time we get to see him die! Yep, all necessary events that solidify once and all Michael Corleone into the classic character we all love and make us completely forget the first 2 films.Michael’s snazzy new look – the spiky bleached hair-do and more stylish attire show that the man has gotten hipper – see how he puts down Sinatra stand-in Johnny Fontane (Al Martino) with this crack: “I’m just gonna go into the kitchen and listen to some Tony Bennett records.” Snap! His voice is gravely to the extreme and his arm motions are more flailing – while the old Michael was stoic and subtle, new Michael is in your face with his bug eyes and exclaimations: “Just when I thought I was out… they pull me back in!”
Then there’s the case of the recasting of one of the main members of Michael’s posse – previously D-lister Robert DuVall barely registered as lawyer Tom Hagen so it’s a major improvement to bring in the grand gentleman actor George Hamilton to be the consigilere. Hamilton, with his ultra-tan and slick lovable posing, alone provides a gravitas that the early entries were sorely missing. It only gets better – when Winona Ryder was too ill to participate, director and co-writer Francis Ford Coppola drafted his daughter Sophia to take on the role of Michael’s daughter Mary. Sophia Coppola’s performance was originally derided but in recent years it has been re-evaluated to be considered one of the best in all cinema. Her death scene (sorry Spoilers!) when she realizes after a few seconds that she has been shot and says “Dad?” in an unaffected blank manner is as heartbreaking as it gets. I get choked up just blogging about it.
It’s well known that Joe Mantegna as a Armani suitted John Gotti-esque competitor of the Corleone’s parlayed his role into the beloved long-running character Fat Tony on The Simpsons but how many know that Andy Garcia parlayed his role into playing a bunch of other likewise thug but still charming parts in a bunch of other notable films I’m too lazy to look up right now. Oh, wait – the OCEAN’S 11 movies – see, pretty much the same type guy, right? W
e’ve got GODFATHER III to thank for that. The involving plot with the Pope dying and a montage of murders, which the other GODFATHER films concluding murder montages hold nothing on, also rule. Diane Keaton returns as Kay to do some more much needed finger waging at Pacino and reportedly they resumed the set romance they had during the first 2 flicks – good for them. For comic relief we’ve got Don Novello who while he never says anything funny is still amusing to see because we can say ‘hey it’s Father Guido Sarducci!’ So disregard what everyone says about I and II being ‘all that’ and savour this saga statement that is up there with SON OF THE PINK PANTHER, LICENCE TO KILL, STAR TREK V, and THE PHANTOM MENACE as being the undeniable best of their respective series. Just when you think you’re out, GODFATHER III pulls you back in – again and again.
